импресионизам

импресионизам

A movement in painting that flourished in the mid- to late-nineteenth century in france, characterized by its practitioners’ interest in recording the visual aspects of things under different conditions of atmosphere and lighting, and marked often by a visibly gestural handling of media and liberal use of bright and contrasting color. Key figures include camille pisarro, edgar degas, claude monet, and pierre renoir.

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Vārdšķira: noun
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Nozare/domēns: Art history
Category: Visual arts
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Импресионизам

Music; Classical

Style period in music which mirrored some of the art movement of the same name during the late 19th and early 20th centuries. In music, it is principally associated with Debussy, ...

британски импресионизам

Art history; General art history

Modernist ideas associated with what was to become known as French Impressionism were introduced to Britain by Whistler from 1863 when he settled in London. Forms of Impressionism ...

нео-импресионизам

Art history; General art history

Neo-Impressionism is the specific name given to the Post-Impressionist work of Seurat and Signac and their followers. Both Camille and Lucien Pissarro had a Neo-Impressionist ...

пост-импресионизам

Art history; General art history

Umbrella term to describe changes in Impressionism from about 1886, date of last Impressionist group show in Paris. Best confined to the four major figures who developed and ...

митови

Art history; Visual arts

The traditional narratives of any culturally bound group, typically exemplified in stories and/or characters that have emotional and cognitive resonance with such a group and that ...

модел

Art history; Visual arts

In the visual arts, some thing that serves as the subject of a representation, often used of persons sitting for portraits (i. E. A “sitter”), or of the person depicted bodily in ...

модерно

Art history; Visual arts

Of the present, or, increasingly, of recent times, in its use as a designator of a cultural movement that dominated most of the twentieth century. In fact, the historical limits ...

движење

Art history; Visual arts

In static visual arts, the perceptual effect or illusion of movement, effected by the elements of an image that lure the eye to perceive change. The way the eye views an image can ...