- Industry: Art history
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The Seven and Five Society was formed in London in 1919 and held its first exhibition the following year. Initially it was a conservative group and can be seen as a British manifestation of the return to order that followed the First World War. The first exhibition catalogue explained that the society was not formed 'to advertise a new "ism"—(we) feel that there has of late been too much pioneering along too many lines in altogether too much of a hurry. ' This perfectly encapsulates the 'return to order' attitude. However, in 1924 Ben Nicholson, one of the pioneers of abstract art in Britain, joined the Seven and Five. He was followed by other modernists including Hepworth, Moore and later, Piper. They effectively hijacked the group, expelling the non-modernists. In 1935 they renamed it the Seven and Five Abstract Group and held the first all abstract exhibition in Britain at the Zwemmer Gallery in London.
Industry:Art history
一個期限從希臘柏拉圖哲學意味的理想的表單的副本副本。在後現代主義思想，特別是通過吉爾斯 · 德勒茲和波德里亞的著作一詞又復蘇了原始的藝術作品和其複製之間的關係的參數的範圍內。鮑德里亞為擁有優先于原始與原始不再相關的效果。
Industry:Art history
The term invented by Robert Delaunay to describe the abstract painting developed by him and his wife Sonia Delaunay from about 1910. Their work was also named Orphism by the poet and critic Apollinaire. The term is derived from the theories of M-E Chevreul whose book of colour theory De la loi du contraste simultanée des couleurs (On the law of the simultaneous contrast of colours) was published in Paris in 1839. It had an increasing impact on French painters from then on, particularly the Impressionists and Post-Impressionists generally, and especially the Neo-Impressionists. The Delaunays' paintings consisted of interlocking or overlapping patches, or planes, of contrasting (or complementary) colours. In Chevreul's theory, and in reality, contrasting colours brought together (i. E. Simultaneous) enhance each other, giving the painting greater intensity and vibrance of colour. The compositions were initially derived from architecture (e. G. R Delaunay's Windows series) but by 1912 he had begun to make paintings in totally abstract circular formats (Disques and Formes circulaires cosmiques series). These compositions were still ultimately based on nature however. In 1912 Delaunay wrote: 'Direct observation of the luminous essence of nature is for me indispensable'.
Industry:Art history
指的是專門為某一特定位置設計藝術作品並具有與位置的相互關係。如果從該位置刪除就會失去全部或實質部分的它的意思。特定于網站經常的安裝工程，如網站特定的安裝、 使用和土地藝術是幾乎由定義特定于網站。
Industry:Art history
革命的歐洲前衛演出者、 作家和詩人組成聯盟在義大利一次會議在 1957 年 (作為國際 Situationiste 或 IS)。它結合了兩個現有的集團，在 Lettrist 國際和國際聯盟的包豪斯的畫報。主要人物是作家和導演的傢伙 Debord，該集團還突出地包括前眼鏡蛇畫家 Asger Jorn。前眼鏡蛇演出者常數也是一名成員，和英國的演出者拉爾夫 Rumney 是不結盟運動的創始人之一。是發達的資本主義基礎的馬克思主義和超現實主義，混合物批判和 Debord 認定在他有影響力 1967年的書的景觀社會消費社會。在文化領域的 Situationists 想要打破演出者與消費者之間的分裂，使文化生產日常生活的一部分。情景的想法在扮演重要角色的革命巴黎 1968 年的事件。是在 1972 年被溶化了。
Industry:Art history
Refers to any Realist painting that also carries a clearly discernible social or political comment. In Britain can be found in eighteenth century in e. G. Hogarth, but became particularly widespread in nineteenth century. Important contributions by Pre-Raphaelites and by the more serious-minded genre painters such as Egg, Frith, Fildes and Holl. Not to be confused with Socialist Realism.
Industry:Art history
在俄國由史達林他上升到電源後在 1924 年列寧逝世後實行現代現實主義的一種形式。雖然沒有精確的界定，學說是由高爾基在 1934 年蘇聯作家大會正式宣佈成立。在實踐中，在繪畫中它意味著使用現實主義樣式以創建蘇區生活的嚴格樂觀圖片。任何悲觀或關鍵元素被禁止，而這是從社會現實主義的關鍵的區別。這是很簡單的宣傳藝術和法西斯主義現實主義的諷刺相似實行由希特勒在德國 （見 Entartete 藝術）。外，蘇聯社會主義演出者製作的體裁多更自由的解釋。
Industry:Art history
在 1960 年代，軟體程式是，演出者可以在電腦創建了藝術的數位工具。自那時以來，這些程式有變得如此複雜他們現在可以認為是藝術作品，而不是只是催化劑。密切相關軟體藝術網藝術由於其依賴性的萬維網作為傳播的工具。通常軟體藝術模仿或重新配置現有的電腦程式。Web 跟蹤者，創建由藝術集體 I/O/D 是激進的互聯網瀏覽器再解釋和阿德里安 · 肖 Signwave 拙劣了地模仿 Adobe Photoshop 的電腦程式。崛起的軟體藝術，導致幾個國際新媒體藝術節，即檔 (電子語言國際節日) 在 São Paulo 在巴西和日本在柏林舉行。軟體藝術的崛起引起了關於消除經營權物權化的藝術和文化和如何這對有影響的概念藝術世界問題。（請參見瀏覽器藝術 ；淨藝術)
Industry:Art history
由李 ・ 米勒和男人雷意外地發現，日曬被創建的簡要地暴露部分發達國家對光，照片在繼續處理之前。男人雷快速作為一種手段逃避 '平庸' 通過日曬和經常技術應用於使用表單和部分沖銷音調的地區周圍的光暈像輪廓強調的身體輪廓的女性裸體照片。
Industry:Art history
一九七二年以來，它的名字從一個描述性術語 ' Sots'ialisticheskiy 現實主義 (社會主義現實主義) 和流行音樂 '藝術'。它描述了一種在 1970 年代和 1980 年代相適應的社會主義現實主義批判及其思想基礎和質疑及其文化內涵技術在蘇聯出現的藝術。
Industry:Art history
