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Tate Britain
Industry: Art history
Number of terms: 11718
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Matted plant fibres made into sheet form either by hand (traditional) or machine (modern). Handmade paper was produced by drying pulp, produced from beating cotton or linen rags in water, on wire trays. The lines of thinner paper produced by these wires are visible in 'laid' paper. 'Wove' paper, developed in the mid eighteenth century, is made from trays with a tightly-woven wire mesh which leave a smoother surface and no visible lines. Artists use both handmade and machine made paper, although handmade is often used for printmaking. Paper is traditionally said to have been invented in China in the second century AD, but was not made in Europe until the twelfth century.
Industry:Art history
A photograph is an image created by the action of light on a light-sensitive material at some stage during its making. It can be either a positive or negative image and made using one of many processes.
Industry:Art history
Artwork that is in the public realm, regardless of whether it is situated on public or private property or whether it has been purchased with public or private money. Usually, but not always, the art has been commissioned specifically for the site in which it is situated. Monuments, memorials and civic statues and sculptures are the most established forms of public art, but public art can also be transitory, in the form of performances, dance, theatre, poetry, graffiti, posters and installations. Public art can often be used as a political tool, like the propaganda posters and statues of the Soviet Union or the murals painted by the Ulster Unionists in Northern Ireland. Public art can also be a form of civic protest, as in the graffiti sprayed on the side of the New York subway in the 1980s.
Industry:Art history
Until the nineteenth century Western art was dominated by the academic theory of History painting and High art (see also Grand manner). Then, the development of Naturalism began to go hand in hand with increasing emphasis on realism of subject, meaning subjects outside the high art tradition. The term Realism was coined by the French novelist Champfleury in the 1840s and in art was exemplified in the work of his friend the painter Courbet. In practice Realist subject matter meant scenes of peasant and working class life, the life of the city streets, cafes and popular entertainments, and an increasing frankness in the treatment of the body and sexual subjects. The term generally implies a certain grittiness of choice of subject. Such subject matter combined with the new naturalism of treatment caused shock among the predominantly upper and middle class audiences for art. Realism is also applied as a stylistic term to forms of sharply focused almost photographic painting irrespective of subject matter, e. G. Early Pre-Raphaelite work such as Millais' Ophelia. (See also Modern Realism).
Industry:Art history
Following the ten years of the Commonwealth the monarchy in Britain was restored with the accession in 1660 of Charles II, who immediately appointed Lely as his court painter. Lely had served Charles I in his final years, adapted with great success to the austerity of the Commonwealth period, and then smoothly moved back into royal favour at the restoration. Lely's portraits of fashionably popeyed beauties exemplify the licentiousness for which Charles II and his court remain notorious. Wright also significant figure and new subject matter appears in compelling animal paintings of Barlow.
Industry:Art history
Term in use by 1812 (e. G. By poet Coleridge) to distinguish new forms of art and literature from classical tradition. Romantic art placed new emphasis on human psychology and expression of personal feeling and on interest in and response to natural world. This complex shift in artistic attitudes at height from about 1780 to 1830 but influence continuing long after. Overall characteristic a new emotionalism in contrast to prevailing ideas of classical restraint. In British art embraced new responses to nature in art of Constable and Turner as well as new approaches to human history, man's place in the cosmos and relationship to God, examined in work of Blake. Other significant painters of history subjects were Fuseli, Barry and Mortimer. Later phases of Romantic movement in Britain embrace Pre-Raphaelites and Symbolism.
Industry:Art history
Sculpture is three-dimensional art made by one of four basic processes. These are carving (in stone, wood, ivory or bone); modelling in clay; modelling (in clay or wax) and then casting the model in bronze; constructing (a twentieth-century development). The earliest known human artefacts recognisable as what we would call sculpture date from the period known as the Upper Paleolithic, which is roughly from 40,000 to 10,000 years ago. These objects are small female figures with bulbous breasts and buttocks carved from stone or ivory, and are assumed to be fertility figures. The most famous of them is known as the Venus of Willendorf (the place in Austria where it was found in 1908). Sculpture flourished in ancient Egypt from about 5,000 years ago and in ancient Greece from some 2,000 years later. In Greece it reached what is considered to be a peak of perfection in the period from about 500-400 BC. At that time, as well as making carved sculpture, the Greeks brought the technique of casting sculpture in bronze to a high degree of sophistication. Following the fall of the Roman Empire the technique of bronze casting was almost lost but, together with carved sculpture, underwent a major revival at the Renaissance. In the twentieth century a new way of making sculpture emerged with the Cubist constructions of Picasso. These were still life subjects made from scrap (found) materials glued together. Constructed sculpture in various forms became a major stream in modern art. (Constructivism; Assemblage; Environment; Installation; Minimal art; New Generation Sculpture. ) Techniques used included welding metal, introduced by Julio González, who also taught it to Picasso. (See also for example David Smith; Reg Butler. )
Industry:Art history
Term Symbolism coined 1886 by French critic Jean Moréas to describe poetry of Mallarmé and Verlaine. Soon applied to art where describes continuation, in face of Impressionism, Realism, Naturalism, of traditional mythological, religious and literary subject matter, but fuelled by new psychological content, particularly erotic and mystical. Complex international phenomenon but especially French (Moreau, Redon, Gauguin), Belgian (Khnopff, Delville), and British (Rossetti, Burne-Jones, Watts, Beardsley).
Industry:Art history
Tecnica di intaglio secondo cui una piastra di metallo viene incisa con un bulino ( scalpello a punta di acciaio ), uno strumento usato per le incisioni simile ad un cesello con una punta a forma di losanga. Il bulino fa incisioni nel metallo con varie angolazioni e diverse pressioni che indicano la quantità di inchiostro che può essere fissata nella linea - cioè la variazione di spessore e colore quando la linea viene stampata. La tecnica di incisione del metallo è nata nell'antichità come metodo per la decorazione di oggetti, ma soltanto dal 1430 in Germania le piastre di metallo incise sono state usate per fare i caratteri. L'incisione fotografica è un processo in cui viene usato l'acido per incidere una immagine prodotta con la fotografia in una piasta di metallo che in questo modo può essere stampata.
Industry:Art history
Gruppo di artisti astrattisti fondato a Parigi nel 1929 dal critico d'arte ed artista Michel Seuphor e dall'artista Joaquìn Torres Garcia. Essi pubblicarono un periodico con questo nome e una mostra d'arte nel 1930, che includeva 130 opere di molti artisti astrattisti. Il gruppo appoggiava nuovi sviluppi dell'arte astratta e in particolare promuoveva la tendenza mistica di questo tipo di arte. Lo Cercle et Carrè venne assorbito dalla Abstraction-Crèation quando quest'ultima venne fondata nel 1933, ma Torres Garcia continuò la pubblicazione del periodico a Montevideo, in Uruguay, il suo luogo di nascita.
Industry:Art history